Mrs. G and The Worms (2022):
Puppet performances investigating hierarchies of age and gender, human agency, and the submission and resistance to internal and external forms of control between Mrs. G and her alter egos, The Big Worm and The Little Worm
In mixed media drawings and collage, Mrs. G interacts with the young girls and the anthropomorphic objects and animals that evolve into her alter egos: the snake, the hose, the worm. The snake (that persuaded the first woman to seek knowledge), in its everyday form as the hose, wraps around Mrs. G and A (her younger self); it weaves in and out, penetrating their dresses-cages, becoming a part of their bodies and binding them in their desire for knowledge.
